• Buy original work

    Every piece is an original — no prints, no editions, no reproductions. Catalogued, signed, and shipped ready to hang.

    Shop the collection → 
  • Join the collective

    You set your own prices, keep the majority of every sale, and own your work outright. We go and find the buyers.

    For artists → 
  • Hang it for free

    Restaurants, cafés, lobbies and offices: original work on your walls at no cost, and a share of every sale it makes.

    For venues → 
  • Buy at volume

    Original work for hotels, developers, offices and events. Curated, documented, and delivered to your install date.

    For designers & trade → 

Selected work

On the wall · in the studio

The work, in real rooms.

Clips and photographs from collectors' homes, from venues, and from the studio floor. If you've hung a piece — at home or in your venue — send us a photo and we'll add it here.

Most art never reaches a wall.

The hard part of being an artist isn't making the work. It's finding anyone to sell it to. Galleries take a small number of people and the rest never get through the door — not on merit, on access. So the work stacks up in studios.

Meanwhile the places that hang art constantly — hotels, restaurants, offices, developers staging a building, event spaces dressing a room for a week — have almost no way to buy original work. They default to mass-produced prints because prints are easy to source and originals are not.

ABB Collective exists to connect those two facts. We sell to collectors the traditional way, and we sell into the rooms galleries were never going to serve. More routes to a buyer means more work sold, which is the only thing that actually helps an artist.

37Originals available
$1,200–$3,500Price range
24–96 inLong edge
One of oneEvery piece

Founder note · Charles Black

I started ABB Collective because making the work was never the hard part. Selling it was.

Galleries can only take so many people, and everyone else is left selling alone into a void. But art gets hung in far more places than galleries — hotels, restaurants, lobbies, staged apartments, events — and almost none of them have a good way to buy an original.

That gap is the whole business. The more routes we open, the more artists get paid for what they make.